Collections

Six families, one workshop

Orman

Pieces where the tree is still legible — live-edge slabs and single boards, knots and figure kept. The cut follows the log, not the drawing.

Joinery left as the ornament — wedged through-tenons, proud dovetails, no veneer and no hidden hardware. The structure is the decoration.

The hand-plane's calm — long, quiet surfaces, tapered legs and thin edges in pale, oiled woods. The stillest end of the range, for dining and living.

Seating on an exposed wood frame, softened with wool, bouclé, linen or leather — the Ottoman sedir reimagined: low, generous, made for company.

The bedroom in the darkest woods — smoked oak and dark walnut. Low, enveloping and hushed, for the hours the rest of the house is quiet.

Storage made to recede — flush fronts, finger-pulls instead of handles, pieces that hold a room's clutter and then disappear.